New Hire: Tom Fisher


P1020884

What is your official title, and what are some of your general responsibilities?

Multimedia Producer. I plan, shoot, and edit videos that can be found in and around CMOA’s exhibitions and on the museum’s Vimeo channel. These videos include event documentation and original works like the Hillman Photography Initiative’s Invisible Photograph series. I also work closely with my supervisor Jeff Inscho to help organize and archive the museum’s digital assets.

What were you doing before joining us at CMOA?

In May I graduated from the Filmmaking Intensive at Pittsburgh Filmmakers. I’ve since been freelancing and was fortunate enough to intern with CMOA’s Multimedia Department. I’ve also spent the last two years working in a photo lab. Yes, people still shoot on film. Yes, people take ‘selfies’ with disposable cameras. Continue reading

This Picture: Guy Bourdin, Ad for Charles Jourdan Shoes


Boudin_Shoes_web

Guy Bourdin, Ad for Charles Jourdan shoes, c. 1970, Estate of Guy Boudin, represented by Michael Hoppen Gallery, London. Used by permission.

I remember seeing this ad as an art student—it kind of had everything: a post-Carnaby Street, pre-hippie moment with mixed and matched colorful shoes and tights, presenting an edgy story and a sense of unattainable style.

It’s impossible to explain how unbelievably cool Charles Jourdan shoes were back then, and how coveted. None of us could afford them, but I was eventually able to buy a pair of red slip-on moonboots at a 70%-off sale at Macy’s. I wore them to death. Continue reading

New Hire: Kevin Mercer


KevinMercer

What is your official title, and what are some of your general responsibilities?

Construction and Facilities Coordinator. I provide support for the administration and execution of all aspects of construction-related activities associated with the museum’s temporary exhibitions, major permanent collection installations, and special projects.

What were you doing before joining us at CMOA?

I had just finished my graduate degree in drawing and painting at Penn State, where I taught 2-D and 3-D design courses. I was also a wood and metal shop technician at PSU’s School of the Visual Arts. Continue reading

This Picture: Barack Obama by Dawoud Bey


maurice-berger-essay_dawoud-bey-obama

Barack Obama, 2007 © Dawoud Bey, courtesy of Stephen Daiter Gallery.

Dawoud Bey’s photograph of the man who would soon be president was taken on a Sunday afternoon in early 2007, at Barack and Michele Obama’s Hyde Park home. The portrait is at once stately and informal. Obama’s hands are folded gracefully in his lap. He wears an elegant suit and white shirt, but no tie. He stares intensely into the camera.

The Museum of Contemporary Photography had commissioned Bey the year before to take a portrait of a notable Chicagoan. He had known the Obamas for several years, and saw them periodically at social gatherings. Impressed with Obama’s keynote speech at the 2004 Democratic convention, Bey sensed a “growing air of expectancy” about him. Continue reading

Art Tracks: Visualizing the Stories and Lifespan of an Artwork


art-track_panoramic_jeff-inscho

Inside the digital media lab of Carnegie Museum of Art. Click to enlarge image. Photo: Jeffrey Inscho.

The Digital Media Lab at Carnegie Museum of Art is attempting to structure provenance and exhibition history data so curators, scholars, and software developers can create dynamic visualizations that answer impossible questions—and we’ve assembled a talented team to do it. But of course that’s a fairly simplified explanation of the project. To better understand exactly what we are looking to accomplish, I need to delve deeper. 

For instance, have you ever wondered how artworks arrive at a museum? I’m not talking about the physical logistics of art object transportation, but rather the journey over time and space that artworks make to arrive at a particular museum at a particular moment in time? Continue reading