life on
mars
55th Carnegie International
5.3.08-1.11.09
Featured Artists
- Doug Aitken
- Kai Althoff
- Mark Bradford
- Vija Celmins
- Phil Collins
- Bruce Conner
- Cao Fei
- Peter Fischli & David Weiss
- Ryan Gander
- Daniel Guzmán
- Thomas Hirschhorn
- Richard Hughes
- Mike Kelley
- Friedrich Kunath
- Maria Lassnig
- Sharon Lockhart
- Mark Manders
- Barry McGee
- Mario Merz
- Marisa Merz
- Matthew Monahan
- Rivane Neuenschwander
- Manfred Pernice
- Susan Philipsz
- Noguchi Rika
- Wilhelm Sasnal
- Thomas Schütte
- Ranjani Shettar
- David Shrigley
- Paul Sietsema
- Rudolf Stingel
- Katja Strunz
- Paul Thek
- Wolfgang Tillmans
- Rosemarie Trockel
- Apichatpong Weerasethakul
- Andro Wekua
- Richard Wright
- Haegue Yang
Audio/Video Library
Artist's Lecture: Haegue Yang
Posted 10|13|08
Artist's Lecture: Ryan Gander
Posted 09|29|08
Remainder, a new process/performance by Attack Theatre: Phase one
Posted 09|23|08
Website Design & Development:
Wall-to-Wall StudiosWhat's Happening:
Last Week!
Life on Mars ends Jan. 11.
HELP US!!
Take a small Life on Mars web site survey and help us answer the big
questions about direction for our future web-based projects.
Attack Theatre: Remainder, Phase Two
Thurs., Jan. 8
Attack Theatre dancers return to Carnegie Museum of Art for Phase Two of Remainder, a 10-month process/performance inspired by Life on Mars.
Daily film screenings of Sharon Lockhart's Pine Flat in Carnegie Museum of Art Theater
2:00 p.m. daily
Additional screening Thursdays at 5:00 p.m.
Free with Museum admission
Running time: 138 min.
schedule is subject to change
Artists
Richard Wright
Born: 1960, London, England
Lives and Works: Glasgow, Scotland
With an acute understanding of form, architecture, and color, Richard Wright paints ephemeral wall drawings that call attention to overlooked parts of our built environment while subtly altering the viewer's experience of space. Wright's primary manner of working consists of installations or interventions, often placed in unconventional or marginalized spaces of a site—ceilings, cornices, windowpanes, or the edges of a wall. Using simply a brush and paint, the artist creates his wall drawings on site in a time-consuming and laborious process. The results are improvisational yet precise paintings with designs ranging from organic, tattoo-like forms to geometric line drawings to cosmological sunbursts or constellations. Wright's work is temporary by nature, as the artist insists that each of his wall drawings must be painted over at the end of an exhibition. He thus asserts the importance of erasure as a natural part of creativity and the possibility for quiet marks on a wall to change our perception of everything around them.
Links: Richard Wright at the Modern Institute
Watch more video interviews in the Video/Audio Library.