Author Archives: Charlene Foggie Barnett, Teenie Harris Archive Assistant & Oral History Coordinator

Women of the Civil Rights Movement


In honor of Black History Month, below are some photographs of local women who aided in the struggle of Civil Rights, as seen through the lens of Charles “Teenie” Harris. In Teenie’s heyday, these ladies were quite instrumental and inspirational in the fight for racial equality. Their plight was most often displayed in a quiet yet unyielding push in education, social services, employment, charitable aid, medicine, and housing. As wives and mothers, their strength propelled them to build a better world, not only for themselves, but for the generations to come. We thank these pillars of society.

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Group portrait of NAACP workers, seated from left: Melusena Carl Whitlock, Lucy Robinson or Susan Fowler, Coretta Ogborne or Ogburn, John G. Jones, Romaine Jackson Childs; standing: Rev. Samuel L. Spear and Boyd L. Wilson, gathered around table for 1954 NAACP Membership Campaign, May 1954, black and white: Kodak Safety Film; Heinz Family Fund

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Men and women wearing name tags that read “NAACP Pennsylvania State Conference”, possibly including Peggy Lavelle standing second from left, and Alma Speed Fox seated second from right, at registration table, October 23-25, 1959, black and white: Kodak Safety Film; Heinz Family Fund

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Louis Mason Jr. of the NAACP presenting plaque to Edward Young, Program director of KDKA, wearing eyeglasses, with inscription “Radio Station KDKA…National Association for the Advancement of Colored People”, with Rosa Parks standing between them, 1958, black and white: Kodak Safety Film; Heinz Family Fund

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Eight women, members of the Alpha Sigma Chapter of Alpha Kappa Alpha Sorority, modeling suits, left to right, seated: Barbara Pollard, Amelia Dobbs, and Barbara Alston Clark; standing: June Gibson, Patricia Yancey, Patricia Prattis, Jewel Clark Taylor, and Linda Pollard, posed for youth fashion show at Carnegie Institute of Technology, another version, June 1962, black and white: Kodak Safety Film; Heinz Family Fund

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Thelma Lovette, Andrea Williams, and Nadine Woodward, gathered at table for Sequoires Tri Hi-Y Club meeting in Centre Avenue YMCA, February 1962, black and white: Kodak Safety Film; Heinz Family Fund

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Fourteen women, including Marilyn Ware [Parker], Coretta Osbourne, Alma Speed Fox, ? Hall, and Dolores Stanton in back row, NAACP Women’s Auxiliary members, posed in interior with floral bouquet wallpaper, another version, 1967, black and white: Kodak Safety Film; Heinz Family Fund

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Group portrait of Judge Henry Smith, Marion Bond Jordon, Daisy Lampkin, possibly Margie Walton, and Bishop Charles Foggie, standing in interior with vent in ceiling, c. 1945-1960, black and white: Kodak Safety Film; Heinz Family Fund

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Portrait of Alma Speed Fox wearing dark double breasted suit with striped scarf, leading hand on back of metal folding chair, 1970, black and white: Kodak Safety Film; Heinz Family Fund

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Group portrait from left: C. Dolores Tucker, Alma Speed presenting “Daisy Lampkin Award” bowl to Wilhelmina Byrd Brown, and Mary Gloster, at Women’s Auxiliary of NAACP dinner dance, Roosevelt Hotel, February 1967, black and white: Kodak Safety Film; Heinz Family Fund

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Group portrait of five women, Mai Ratcliffe, Mabel Bookert, Mary Jane Page, Elizabeth Younge, and Miriam Fountain, posed behind table for initiation into Links Club, in home of Daisy Lampkin with floral wallpaper, June 1953, black and white: Kodak Safety Film; Heinz Family Fund

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Group portrait of unknown man, Marion Bond Jordon, Rev. LeRoy Patrick, and Rev. Charles Foggie at podium, on stage at Soldier’s and Sailor’s Memorial Hall for NAACP protest rally, October 1955, black and white: Kodak Safety Film; Heinz Family Fund

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Group portrait including, seated left to right, Jessie Vann, Atty. Henry Smith, Irving Beauford, Matthew Moore, Florence J. Reizenstein, and Sylvester Anderson, standing from left to right, Louis Mason Jr., Theodore Jones, and Clarence “Larry” Huff, gathered around banquet table for the NAACP Human Rights dinner, October-November 1957, black and white: Kodak Safety Film; Heinz Family Fund

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Mary Alexander, Daisy E. Lampkin, Dorothy Height, and Mary White, gathered for Pittsburgh Council of Negro Women event at Warren Methodist Church, May 1958, black and white: Kodak Safety Film; Heinz Family Fund

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Group portrait, seated from left: Mrs. Albert Goldsmith, Florence J. Reizenstein, Mrs. O. S. Bond, Charlene Foggie, Mrs. Sari Patton, Mrs. Harold Jones, Mrs. William Frederick; standing: Mrs. J. P. Howell, Bernice Utterback, Charlotte Primas, Alma Pulliam, Mrs. B. Dykes, Mrs. William Goode, Mrs. William Morgan, Aileen Sawyer, Marion Bond Jordon, Mrs. H. Morrison, Marie Robinson, Mrs. Robert Lavelle, Hazel Garland, Mrs. LuGene Bray, Mrs. Leslie Shelton, Mrs. E. Burley, and Madeline Sharpe Foggie, gathered in garden of Jordon home, Andover Terrace, September 1961, black and white: Kodak Safety Film; Heinz Family Fund

Group portrait of two men, and fifteen women, including seated: Mrs. Abraham Lincoln, second on left, Mary McLeod Bethune, center, and Jessie Vann, second from left; and standing: Wilhelmina Byrd Brown, second on left, Alma Illery, center, and Alma Polk, right, possibly at banquet for the Pittsburgh Branch of the National Council of Negro Women, c. 1949, black and white: Agfa Safety Film, Heinz Family Fund

Group portrait of two men, and fifteen women, including seated: Mrs. Abraham Lincoln, second on left, Mary McLeod Bethune, center, and Jessie Vann, second from left; and standing: Wilhelmina Byrd Brown, second on left, Alma Illery, center, and Alma Polk, right, possibly at banquet for the Pittsburgh Branch of the National Council of Negro Women, c. 1949 black and white: Agfa Safety Film; Heinz Family Fund

Teenie Tuesday on Facebook


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Charles “Teenie” Harris self-portrait in Harris Studio, c. 1940, black and white: Agfa Safety Film; Heinz Family Fund

Don’t miss our new Facebook series, Teenie Tuesday! The Charles “Teenie” Harris Archive contains approximately 80,000 images taken by Harris throughout his stellar career. A richly detailed record of public personalities and everyday Pittsburghers, the Archive is considered one of the most important documentations of 20th-century African American life. Since 2003, the museum has scanned and cataloged nearly 60,000 images, many of which are available on our Collection Search page. Identification of this vast collection is ongoing and we are always interested in hearing your stories regarding a Teenie photograph. Through our Facebook posts, we will share what’s new with the Archive, related events, images that could use some help from the public identifying the subjects and locations, and remembrances of the people, places, and events that Teenie photographed.

Charles “Teenie” Harris (1908–1998) chronicled the life of African Americans and other Pittsburghers through his photographic work from 1936–1975 in the nationally preeminent Black newspaper The Pittsburgh Courier. He also freelanced for the Washington D.C. news picture magazine, Flash!, and maintained a portrait studio in the heart of Pittsburgh’s Hill District. Nicknamed “One Shot” because of his speed and precision capturing a moment in time, Teenie’s archive is a richly detailed record of the lives of international celebrities, sports figures, politicians, Civil Rights leaders, and local residents.

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Charles “Teenie” Harris in front of Flash circulation office, 2132 Centre Avenue, Hill District, c. 1937, gelatin silver print; Gift of the Estate of Charles “Teenie” Harris

These photos created a sense of pride, dignity and respect in the minority community. As his oldest child, Charles A. Harris, explained, “Dad’s lens offered an equal opportunity to all. Those who faced that lens had a feeling of being special. He was blessed with an uncanny instinct that brought out the emotions of those he photographed. His photographs are a testament to his artistry and his life.”

Have a question or information about a photo from the Archive? Get in touch.
Charlene Foggie Barnett, Teenie Harris Archive Assistant: foggie-barnettc@cmoa.org
Kerin Shellenbarger, Research Archivist, Teenie Harris Archive: shellenbargerk@cmoa.org

Want to order your own prints from the Teenie Harris Archive?
Photo orders may be directed to RequestAPrint online.

Need to license a Teenie Harris image for publication?
Visit Getty Images online.

—Charlene Foggie Barnett, Teenie Harris Archive Assistant & Oral History Coordinator

Teenie in Quilts


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Selection of quilts inspired by Charles “Teenie” Harris’s photograph, “Boy school crossing guard holding back group of children…”

Black and white cloth. Gloves, glasses, and patrol guard belts. Children’s earnest faces. On October 17–20, 2013, the New Hazlett Theater on Pittsburgh’s North Side displayed the Nia Quilt Guild’s unique project, “A Quilter’s View of the Arts.” The event was sponsored by YMWAHA (Young Men and Women’s African Heritage Association) and the concept was for the quiltmakers to respond to challenges representing five distinct art disciplines: painting, dance, spoken word, music, and photography. The Charles “Teenie” Harris portrait (below) of a 1949 school patrol guard, on a street with outstretched arms protecting just under a dozen children, was chosen to represent the photographic arts.

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Charles “Teenie” Harris, Boy school crossing guard holding back group of children, including: Donald Christmas, Joann Collins, Elaine Robinson, Kenneth Holiday, Curtis Andrews, Beverly Myers, and Marlene Brown, on corner of Kirkpatrick and Reed Streets with A. Leo Weil School on left in background, Hill District, 1947, black and white: Kodak Safety Film; Heinz Family Fund

With clever flair, seven quilters captured their personal interpretation of the photo image, sewn in black, gray, and white cloth, mimicking the black and white photography Mr. Harris is best known for. On some of the works, strips of straight lines depicted the crossing guards belt and street patterns, while on others patterned swirls imitated the children’s posture and energy. One quilt even had small gloves and glasses echoing the guard’s attire. I was quite impressed with them all, but was especially drawn to the quilt of the children’s images copied onto cloth and placed in the silhouette of Teenie’s famous Speed Graphic camera, with which the photo was undoubtedly taken. As quilt artist Joyce Broadus gave me a tour of the quilts, she mentioned that using black and white cloth had been particularly challenging to the seamstresses accustomed to using more color and pattern, but that they eventually found it exciting to bring life to the static palette. I chuckled aloud, however, when informed that one quilter, who didn’t like the lack of color, sewed the back of her piece with bright red circles to depict the vitality of children, and aptly titled her creation, “Don’t Make Me Do Black and White Again!”

Photography illustrated through needle and thread is a refreshing appreciation of the Harris collection. Known for being a very down-to-earth gentleman, Teenie certainly would be thrilled that his work was characterized in such unique fashion, and in support of programs benefiting a popular subject of his lens—youngsters of color. Bravo for an exceptional exhibition!