Category Archives: Behind the Scenes

New Hire: Emily Davis


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Emily Davis, taking a spin in the backyard with her pet chicken, in Alameda, New Mexico, circa 1985.

What is your official title, and what are some of your general responsibilities?

My official title is Senior Research Associate for the Time-Based Media Collection. I am working on an exciting multi-faceted project funded by the A.W. Mellon Foundation. One of my main responsibilities is to ensure the long-term sustainability and accessibility of the museum’s time-based media collection, which includes film, video, audio, and software-based artworks. To do this I am assessing the preservation needs of the holdings, determining what works need and can be migrated to digital formats, working with the artists, galleries, and estates to migrate the work according to best practices, and updating the collection records to document the preservation work. I will also be working with the new archival assistant to arrange and describe the related archival materials in  order to gather more information about the collection and make it accessible to staff and researchers. Continue reading

Art Tracks: Parties, Marriage, and Provenance


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War Bride by Clarence Holbrook Carter, 1940 © Estate of Clarence Carter. Photo Credit: Richard Stoner.

Things said infrequently to the Curator of Fine Arts: “We need to talk about marriage.”

As we begin Art Tracks, one of the first tasks is identifying each person, or party, who was involved in the transfer, movement, and custody of an artwork before it came to Carnegie Museum of Art.

Then we have to build a timeline of each party’s movements over their lifetime, and associate a distinct location identifier for each movement. Currently, we’re using Geonames as our authority, though the Getty Thesaurus of Geographic Names (TGN) just became linked-open-data. Using an authority helps us be explicit that we’re talking about the Paris in France, and not Paris, Ontario, Paris, Texas, or Paris, Togo. Continue reading

New Hire: Tom Fisher


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What is your official title, and what are some of your general responsibilities?

Multimedia Producer. I plan, shoot, and edit videos that can be found in and around CMOA’s exhibitions and on the museum’s Vimeo channel. These videos include event documentation and original works like the Hillman Photography Initiative’s Invisible Photograph series. I also work closely with my supervisor Jeff Inscho to help organize and archive the museum’s digital assets.

What were you doing before joining us at CMOA?

In May I graduated from the Filmmaking Intensive at Pittsburgh Filmmakers. I’ve since been freelancing and was fortunate enough to intern with CMOA’s Multimedia Department. I’ve also spent the last two years working in a photo lab. Yes, people still shoot on film. Yes, people take ‘selfies’ with disposable cameras. Continue reading

New Hire: Kevin Mercer


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What is your official title, and what are some of your general responsibilities?

Construction and Facilities Coordinator. I provide support for the administration and execution of all aspects of construction-related activities associated with the museum’s temporary exhibitions, major permanent collection installations, and special projects.

What were you doing before joining us at CMOA?

I had just finished my graduate degree in drawing and painting at Penn State, where I taught 2-D and 3-D design courses. I was also a wood and metal shop technician at PSU’s School of the Visual Arts. Continue reading

Art Tracks: Visualizing the Stories and Lifespan of an Artwork


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Inside the digital media lab of Carnegie Museum of Art. Click to enlarge image. Photo: Jeffrey Inscho.

The Digital Media Lab at Carnegie Museum of Art is attempting to structure provenance and exhibition history data so curators, scholars, and software developers can create dynamic visualizations that answer impossible questions—and we’ve assembled a talented team to do it. But of course that’s a fairly simplified explanation of the project. To better understand exactly what we are looking to accomplish, I need to delve deeper. 

For instance, have you ever wondered how artworks arrive at a museum? I’m not talking about the physical logistics of art object transportation, but rather the journey over time and space that artworks make to arrive at a particular museum at a particular moment in time? Continue reading