An assembled crowd attends a film screening during the Apartment Talks in Lawrenceville © Carnegie Museum of Art.
Let me start by saying this: Carnegie Museum of Art, where I am curator of Modern and Contemporary Art, could go further to be more welcoming, more accessible, and frankly, more fun for Pittsburgh’s artists. Working toward this goal has been a priority, among many, for me—and my colleagues, including Amanda Donnan (guest editor at Pittsburgh Articulate, where this essay originally appeared)—since I got here in May 2009.
As part of this effort, the five curators then in the contemporary art department (Daniel Baumann, me, Amanda, Tina Kukielski, and Lauren Wetmore) initiated the Apartment Talks series at a space in Lawrenceville. We ran this alternative space, a component of the 2013 Carnegie International, for almost two years on top of 12-13 hour days at the museum, and loved doing it. Pittsburgh artists made up the majority of the presenters, and their names and images of their work were published in the International catalog. This is not nothing. That catalog is in the hands of curators, collectors, critics, and artists all around the world. For two years that small apartment in Lawrenceville became what I would like to see all over Pittsburgh: a place for Pittsburgh artists, writers, filmmakers, educators, collectors, curators, and others to connect and exhibit with artists from all over the world. This coming together should not be the exception, but rather the rule. Continue reading
Two young girls climb on the Lozziwurm play sculpture at Carnegie Museum of Art during The Ultimate Play Day on April 27, 2014 © Carnegie Museum of Art. Photo: Josh Franzos.
Call to Action: Take the Pittsburgh Playability Survey and help Carnegie Museum of Art make the city more playable and family-friendly.
Play was a central theme of the 2013 Carnegie International, with The Playground Project exhibition and Lozziwurm play sculpture encouraging a larger ongoing discussion about the way we approach childhood, risk, public space, and education. And it’s a topic that remains timely. In a recent segment on NPR, for example, it was reported that time on the playground may be more important than time in the classroom.
“The experience of play changes the connections of the neurons at the front end of your brain,” Sergio Pellis, a researcher at the University of Lethbridge in Alberta, Canada, told NPR’s Jon Hamilton. “And without play experience,” he said, “those neurons aren’t changed.” Continue reading
Charles “Teenie” Harris, Group portrait of eight men, including Bill Nunn Sr., Brooklyn Dodgers baseball players Jackie Robinson and Roy Campanella, Courier sports reporter Chester Washington, and Teddy Horne, c. 1948–1956, gelatin silver print, Carnegie Museum of Art, Heinz Family Fund, 19126.96.36.199 © 2006 Teenie Harris Archive
On a sunny July afternoon in 2011, I had the privilege of going to the home of William G. Nunn Jr. and Frances Bell Nunn, to interview them for the Teenie Harris Archive’s oral histories. I had known them casually in my childhood, but as their front door opened two impressions hit me: 1) Here were some of Pittsburgh’s finest African American citizens, and (2) how much they seemed to still be in love. They greeted me, together, with big smiles and we shared a warm, informative afternoon full of both serious discussion and rich laughter. Continue reading
Charles “Teenie” Harris, Dramatic sky seen from Penn Avenue near Homewood, c. 1943, gelatin silver print, Carnegie Museum of Art, Heinz Family Fund, 1996.69.224 © 2006 Teenie Harris Archive
Teenie Harris is perhaps best known for his ability to photograph people and capture their spectrum of expressions as well as truthfully document their life events. He was surrounded by family, friends, and a large community who seemed to be drawn to him and offered their trust to his lens, as well as frequently “photobombed” the margins of his frame while he was on assignment.
But Harris also had a keen eye for architecture and the urban landscape—he was known to have a deep love for the city of Pittsburgh, and at times it seems as if the city itself was another member of his community. His landscape and architectural images show the same intimacy and the deliberate and careful composition that he used when photographing children playing in the street or a family being evicted from their home. Continue reading
Charles “Teenie” Harris, Charles “Teenie” Harris, wearing riding attire, seated on horse and patting the horse’s neck, possibly in Schenley Park, with Adirondack chair in background, c. 1935-1940, black and white: unknown safety film, Carnegie Museum of Art, Heinz Family Fund, 2001.35.8715 © 2006 Teenie Harris Archive
When we talk to people who knew Teenie Harris personally we hear the same thing over and over again: Teenie was everywhere, always taking pictures. We asked his family if he ever slept since the other part of taking pictures required long hours in the darkroom. They said he managed to keep on going with his trademark positive energy despite little sleep at times. Then we wondered, what about his down time, did he ever put down the camera? Continue reading