In honor of Black History Month, below are some photographs of local women who aided in the struggle of Civil Rights, as seen through the lens of Charles “Teenie” Harris. In Teenie’s heyday, these ladies were quite instrumental and inspirational in the fight for racial equality. Their plight was most often displayed in a quiet yet unyielding push in education, social services, employment, charitable aid, medicine, and housing. As wives and mothers, their strength propelled them to build a better world, not only for themselves, but for the generations to come. We thank these pillars of society.
Much news attention has been given to Snowmageddon and the Polar Vortex, but in 1950, the Great Appalachian Storm dumped over 30 inches of snow during Thanksgiving weekend in Pittsburgh. The city was essentially shut down for days, the Allegheny County coroner warned those over the age of 45 against shoveling snow, and most of the newspapers ceased to print for a day or two. And Teenie Harris (who was used to being everywhere all of the time) was possibly stuck shoveling out as well.
I asked Charles A. Harris, Teenie Harris’s oldest son, what his dad thought of snow:
“I was very young when my father took me aside and talked about people who liked snow because it was so pretty. He really impressed upon me that though it may be pretty to look at from inside, there was always someone trying to go to work; many many accidents are caused by snow for people who don’t have a choice. In addition, there are ambulances that have to travel dangerous streets on their way to the hospital. In a word, he HATED SNOW!”
And it shows—out of over 70,000 negatives that we’ve cataloged so far, there are only around 120 that feature snow. Throughout his career, snow impeded his photojournalistic work…
…but also provided subjects for photographs…
But though he didn’t like the stuff, it’s no surprise that Harris still managed to capture some joyous images of those who did:
Don’t miss our new Facebook series, Teenie Tuesday! The Charles “Teenie” Harris Archive contains approximately 80,000 images taken by Harris throughout his stellar career. A richly detailed record of public personalities and everyday Pittsburghers, the Archive is considered one of the most important documentations of 20th-century African American life. Since 2003, the museum has scanned and cataloged nearly 60,000 images, many of which are available on our Collection Search page. Identification of this vast collection is ongoing and we are always interested in hearing your stories regarding a Teenie photograph. Through our Facebook posts, we will share what’s new with the Archive, related events, images that could use some help from the public identifying the subjects and locations, and remembrances of the people, places, and events that Teenie photographed.
Charles “Teenie” Harris (1908–1998) chronicled the life of African Americans and other Pittsburghers through his photographic work from 1936–1975 in the nationally preeminent Black newspaper The Pittsburgh Courier. He also freelanced for the Washington D.C. news picture magazine, Flash!, and maintained a portrait studio in the heart of Pittsburgh’s Hill District. Nicknamed “One Shot” because of his speed and precision capturing a moment in time, Teenie’s archive is a richly detailed record of the lives of international celebrities, sports figures, politicians, Civil Rights leaders, and local residents.
These photos created a sense of pride, dignity and respect in the minority community. As his oldest child, Charles A. Harris, explained, “Dad’s lens offered an equal opportunity to all. Those who faced that lens had a feeling of being special. He was blessed with an uncanny instinct that brought out the emotions of those he photographed. His photographs are a testament to his artistry and his life.”
Have a question or information about a photo from the Archive? Get in touch.
Charlene Foggie Barnett, Teenie Harris Archive Assistant: email@example.com
Kerin Shellenbarger, Research Archivist, Teenie Harris Archive: firstname.lastname@example.org
Want to order your own prints from the Teenie Harris Archive?
Photo orders may be directed to RequestAPrint online.
Need to license a Teenie Harris image for publication?
Visit Getty Images online.
—Charlene Foggie Barnett, Teenie Harris Archive Assistant & Oral History Coordinator
During his decades-long photographic career, Teenie Harris photographed President John F. Kennedy more than any other US president. Kennedy visited Western Pennsylvania several times during his presidential campaign, but during a 24-hour period on October 12 and 13, 1962, while campaigning for Democratic congressional and state candidates, Teenie Harris captured all of his speaking engagements in the area. Kennedy spoke on national issues still pertinent today, including jobs, healthcare, and education, as well as the discord between congressional Democrats and Republicans. All of his speeches in Western Pennsylvania during those two days expressed these same themes, but were delivered differently at each stop. They were also recorded on audio tape and are available today through the John F. Kennedy Presidential Library & Museum.
Friday, October 12, 1962
Afternoon: Kennedy flies to the Pittsburgh area after attending a Columbus Day parade in New York City. Harris waits in the crowd at the airport, possibly getting damp from a passing rain. He photographs the president disembarking Air Force One and greeting the crowd.
4:00 p.m.: Harris captures the crowds gathered in Aliquippa, the site of Kennedy’s first speech of the trip.
The newspapers report that the rain ended in time for the president’s speech. Harris is crowded by other press photographers and takes only one known picture, perhaps knowing he got a clear view at that moment. Hear Kennedy’s speech in Aliquippa or read the transcript.
Late afternoon: The Pittsburgh Press prints the exact route that Kennedy’s motorcade would take to Pittsburgh so that the public could line the streets to watch. After arriving in Pittsburgh, Kennedy checks in to the Penn-Sheraton Hotel for a few hours before his next event.
9:00 p.m.: Kennedy speaks to a packed crowd at the Fitzgerald Field House on the University of Pittsburgh campus in Oakland.
Harris isn’t able to, or chooses not to, get close to the platform. He also experiences a little camera trouble or a darkroom accident, as several of the negatives have light leaks on the left margins. It is likely that he was quickly developing and printing the film later that night (or the early hours of the morning) in the basement darkroom of his house in Homewood. Hear Kennedy’s speech from University of Pittsburgh or read the transcript.
Saturday, October 13, 1962
10:30 a.m.: The weather has cleared, and is described as “near perfect.” Kennedy’s first speech of the day was scheduled in McKeesport.
Harris moves about the crowd photographing from several angles, capturing the president framed by the dark shadow of the marquee and the massive crowd gathered in downtown McKeesport. Hear Kennedy’s speech in McKeesport or read the transcript.
11:40 a.m.: Running 10 minutes behind schedule, Kennedy makes his remarks in Monessen.
Here Harris makes one of the most beautiful images of the president, as well as one among the most popular in his body of work. He seems to be standing on the speaker’s platform and perhaps leaning slightly against the railing on the right. No other photographers are jockeying for his spot. And the police officer on the roof in the distance becomes a foreshadowing element to many who view the image today.
Harris also captured the event from Kennedy’s point of view—a trademark of his photographic work with musicians and other celebrities on stage. Hear Kennedy’s speech in Monessen or read the transcript.
12:30 p.m.: Kennedy’s last stump speech took place in Washington, Pennsylvania, where he also had lunch.
Harris again stayed back in the crowd, perhaps aware of the strength of the portrait he had taken less than an hour earlier. That negative was likely still undeveloped and secured in his coat pocket or the trunk of his car. Hear Kennedy’s speech in Washington, PA, or read the transcript.
3:00 p.m.: Kennedy returns to the Pittsburgh area to take a flight to his next event in Indianapolis, Indiana. Harris is likely in his darkroom. The next day, a US military surveillance aircraft took aerial photographs of Cuba, leading to the Cuban Missile Crisis.
Kerin Shellenbarger, Research Archivist, Teenie Harris Archive
Black and white cloth. Gloves, glasses, and patrol guard belts. Children’s earnest faces. On October 17–20, 2013, the New Hazlett Theater on Pittsburgh’s North Side displayed the Nia Quilt Guild’s unique project, “A Quilter’s View of the Arts.” The event was sponsored by YMWAHA (Young Men and Women’s African Heritage Association) and the concept was for the quiltmakers to respond to challenges representing five distinct art disciplines: painting, dance, spoken word, music, and photography. The Charles “Teenie” Harris portrait (below) of a 1949 school patrol guard, on a street with outstretched arms protecting just under a dozen children, was chosen to represent the photographic arts.
With clever flair, seven quilters captured their personal interpretation of the photo image, sewn in black, gray, and white cloth, mimicking the black and white photography Mr. Harris is best known for. On some of the works, strips of straight lines depicted the crossing guards belt and street patterns, while on others patterned swirls imitated the children’s posture and energy. One quilt even had small gloves and glasses echoing the guard’s attire. I was quite impressed with them all, but was especially drawn to the quilt of the children’s images copied onto cloth and placed in the silhouette of Teenie’s famous Speed Graphic camera, with which the photo was undoubtedly taken. As quilt artist Joyce Broadus gave me a tour of the quilts, she mentioned that using black and white cloth had been particularly challenging to the seamstresses accustomed to using more color and pattern, but that they eventually found it exciting to bring life to the static palette. I chuckled aloud, however, when informed that one quilter, who didn’t like the lack of color, sewed the back of her piece with bright red circles to depict the vitality of children, and aptly titled her creation, “Don’t Make Me Do Black and White Again!”
Photography illustrated through needle and thread is a refreshing appreciation of the Harris collection. Known for being a very down-to-earth gentleman, Teenie certainly would be thrilled that his work was characterized in such unique fashion, and in support of programs benefiting a popular subject of his lens—youngsters of color. Bravo for an exceptional exhibition!