Filmmaker Peggy Ahwesh reflects on Stephanie Beroes' film Debt Begins at Twenty, which immortalized the Pittsburgh punk scene of the early 1980s.
Steffani Jemison recalls a childhood encounter with art, and how that informed her future work with the museum's Hillman Photography Initiative.
Emmanuel Iduma’s Travelogue is based on the 14-day research trip Curator Ingrid Schaffner conducted with Companion Carin Kuoni to Morocco for the closing of the Marrakesh Biennial, Senegal for the opening of the Dakar Biennial, and Lagos, Nigeria in May 2016.
Ingrid Schaffner, curator of the Carnegie Int’l, 57th ed., 2018, discusses the origins and intent of the Travelogue Series.
David Finkelstein interviews experimental filmmaker Peter Rose about his 1981 film The Man Who Could Not See Far Enough.
Teenie Harris’s photographs of the democratic process defined much of his 40-year career as a photojournalist at the Pittsburgh Courier.
Following the opening of her exhibition in the Forum Gallery last May, Alison Knowles led an impromptu performance workshop with local artists.
Charlene Foggie-Barnett of the Teenie Harris Archive reflects on the passing of Bill Nunn III.
How Hélio Oiticica challenged the traditional boundaries of art, and its relationship with life, by turning the viewer into participant.
Al Borde, a collective of young architects from Quito, Ecuador, is helping community groups in North Braddock to revive a once-vibrant playground.