In REkOGNIZE, Harris’s photography is the catalyst for both image and sound. On one channel of the installation, parts of the unearthed code create a representation of the numeric layers beneath the images that establish their essence. As Harris’s photographs flash on screen, code scrolls across the faces of men, women, and children from the Hill District, their expressions veiled by alphanumeric masks. Behind their bodies numbers drop in rapid descent, conjuring a sense of disintegration. And within their bodies the code consumes them, cutting a silhouette both familiar and foreign. “I’m trying to crack the code,” Young explains.
If you drive out of Downtown Pittsburgh on Bigelow Boulevard, you speed around between the Strip and the Hill before descending along Craig Street, as if City Beautiful Oakland were a pool you slowly dip back into after flying around on the automobile-era roadway. The Front Studio office at 357 North Craig Street is one of the first things you see as you cruise through the Queene Anne rowhouses, toward the apartment buildings and eventually the churches and cultural institutions.
In his painting The Monongahela River Valley, Pennsylvania, the Scottish-born, self-taught John Kane offers an ode to the ever-growing industrialization in his adopted hometown of Pittsburgh. Painted in 1931, and now part of the collection at The Met, the landscape that Kane captured borders on pastoral. In the foreground, white fog tumbles from smokestacks set against perfect blue skies, while copper-hued factories rise from the banks on either side of the river as if extensions of the soil itself.
Last December, while Michael Williams was producing a suite of new paintings and a series of drawings for his first US solo museum exhibition at Carnegie Museum of Art, Suzanne Hudson had the opportunity to visit with him in his Los Angeles studio. They spoke about painting, the use of allegory in his work, Instagram culture, our endless digital feeds, and much more.
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Artist collective Transformazium wants you to know there is already a long history of arts and culture in Braddock that doesn’t need to be revitalized.
For over 20 years, Pittsburgh residents Karl and Jennifer Salatka have been active members and voices at Carnegie Museum of Art. While today they possess a collection vibrant with key modern era artists and their own unique personal aesthetic, neither of them began the journey with a background in art history or even a familiarity with the Museum of Art. Avid curiosity and a self-motivation to learn have guided the Salatkas towards embracing a newfound passion for art.
There, in Umuahia, on a rainy afternoon, a dead man was moved on a stretcher from the hospital ward to the morgue. The man was the age of my father, whom I was sitting beside. I remember noting, as I glanced at each man, that they radiated a similar serenity.