I fell in love with prints by accident. As a college student, I was interested in medieval art, or, more specifically Byzantine art, especially manuscripts. I needed a part-time job to help with my living expenses, and I applied to work as a research assistant at a New York art gallery that specialized in manuscripts and early printed books. Unbeknownst to me, the gallery also specialized in old master prints and drawings, which I managed to ignore during my first few months at the gallery. I was thoroughly immersed in the world of medieval saints and philosophy. Continue reading
On a sunny July afternoon in 2011, I had the privilege of going to the home of William G. Nunn Jr. and Frances Bell Nunn, to interview them for the Teenie Harris Archive’s oral histories. I had known them casually in my childhood, but as their front door opened two impressions hit me: 1) Here were some of Pittsburgh’s finest African American citizens, and (2) how much they seemed to still be in love. They greeted me, together, with big smiles and we shared a warm, informative afternoon full of both serious discussion and rich laughter. Continue reading
Pittsburgher Charles J. Rosenbloom (1898–1973) was a lawyer, businessman, philanthropist, and passionate supporter of the state of Israel; he was also a music lover, bibliophile, and art collector of breadth, refinement, and taste. A staunch supporter of many Pittsburgh institutions, he was already a noted art collector when he began his official association with Carnegie Institute and its Fine Arts Department (later Carnegie Museum of Art), when he was elected trustee of the Carnegie Institute and member of the Fine Arts Committee in December 1939. He remained a devoted friend and benefactor of the museum throughout the rest of his life. In addition to his long service on the museum board, throughout the years he provided funds for a diverse group of acquisitions, gifted art from his collection, loaned works for important exhibitions, and, finally, hand-picked a large and important part of that collection as a bequest to the museum. Continue reading
As a professional photographer, my experience with architecture is not so much the history or study of as it is one of practical knowledge. You need to learn the hallmarks of the different genres to speak with some intelligence to various clients. Before working as an architectural photographer for Carnegie Museum of Art in 2004, I really only knew of Frank Lloyd Wright and a handful of other names, but of course still could pick out visually interesting buildings and enjoy the differences between eras. Continue reading
Teenie Harris is perhaps best known for his ability to photograph people and capture their spectrum of expressions as well as truthfully document their life events. He was surrounded by family, friends, and a large community who seemed to be drawn to him and offered their trust to his lens, as well as frequently “photobombed” the margins of his frame while he was on assignment.
But Harris also had a keen eye for architecture and the urban landscape—he was known to have a deep love for the city of Pittsburgh, and at times it seems as if the city itself was another member of his community. His landscape and architectural images show the same intimacy and the deliberate and careful composition that he used when photographing children playing in the street or a family being evicted from their home. Continue reading