Tag Archives: new hire

New Hire: Emily Davis


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Emily Davis, taking a spin in the backyard with her pet chicken, in Alameda, New Mexico, circa 1985.

What is your official title, and what are some of your general responsibilities?

My official title is Senior Research Associate for the Time-Based Media Collection. I am working on an exciting multi-faceted project funded by the A.W. Mellon Foundation. One of my main responsibilities is to ensure the long-term sustainability and accessibility of the museum’s time-based media collection, which includes film, video, audio, and software-based artworks. To do this I am assessing the preservation needs of the holdings, determining what works need and can be migrated to digital formats, working with the artists, galleries, and estates to migrate the work according to best practices, and updating the collection records to document the preservation work. I will also be working with the new archival assistant to arrange and describe the related archival materials in  order to gather more information about the collection and make it accessible to staff and researchers. Continue reading

New Hire: Tom Fisher


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What is your official title, and what are some of your general responsibilities?

Multimedia Producer. I plan, shoot, and edit videos that can be found in and around CMOA’s exhibitions and on the museum’s Vimeo channel. These videos include event documentation and original works like the Hillman Photography Initiative’s Invisible Photograph series. I also work closely with my supervisor Jeff Inscho to help organize and archive the museum’s digital assets.

What were you doing before joining us at CMOA?

In May I graduated from the Filmmaking Intensive at Pittsburgh Filmmakers. I’ve since been freelancing and was fortunate enough to intern with CMOA’s Multimedia Department. I’ve also spent the last two years working in a photo lab. Yes, people still shoot on film. Yes, people take ‘selfies’ with disposable cameras. Continue reading

New Hire: Kevin Mercer


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What is your official title, and what are some of your general responsibilities?

Construction and Facilities Coordinator. I provide support for the administration and execution of all aspects of construction-related activities associated with the museum’s temporary exhibitions, major permanent collection installations, and special projects.

What were you doing before joining us at CMOA?

I had just finished my graduate degree in drawing and painting at Penn State, where I taught 2-D and 3-D design courses. I was also a wood and metal shop technician at PSU’s School of the Visual Arts. Continue reading

New Hire: Tracey Berg-Fulton


new-hire_tracey-berg-fulton_cmoa-blog_450pWhat is your official title, and what are some of your general responsibilities?

My official title is Collections Database Associate. I am working on a new project called Art Tracks that will hopefully provide our provenance data as linked open data. At this point in the project, my responsibilities are mainly cleaning up database records, creating new records where needed, checking facts, and working with our project developer to figure out how to get the best data out of our collections database. My role is pretty exciting, in that I get to be kind of a bridge between the curatorial department, the registrar’s department, and the technology department. I have a background in registration, but I have a totally not secret love of technology and the net, so this is a great fit for me, and I feel like I’ve learned a ton!

What were you doing before joining us at CMOA?

Immediately before coming to CMOA, I was the database administrator at a tech startup called Shoefitr here in Pittsburgh. Before Shoefitr, I was the Registrar at the August Wilson Center for African American Culture. Prior to that, I was a contract registrar, working with private clients, small galleries, and corporate clients to do, well, basically anything that needed to be done. Art shipping, painting, installing, condition reporting, toilet repair (yes, really), I could do it. If we want to take a trip in the Way Back Machine, I got my museum start at CMOA. I was here as a volunteer in the Decorative Arts department in 2008 after I moved back to the US from Scotland, and then worked in the Technology department as an imaging technician before I headed out to Oklahoma to start my registrarial career. Continue reading

New Hire: Emily Rice


emilyWhat is your official title, and what are some of your general responsibilities?
Exhibition designer. My main responsibility is to work with our curatorial staff to design our exhibitions from concept through execution. I work through drawings, models, and renderings, which have either handmade physical versions or computer-aided digital versions. I work extensively with Hannah Silbert and Jeff Lovett in the exhibitions department to make sure that each exhibition fulfills the goals of the curatorial team and the museum while working within the project’s budget and schedule. I am also tasked with maintaining continuity in the museum’s style and appearance in terms of casework, exhibition layouts, furnishings, lighting, and a thousand other criteria which comprise an exhibition.

What were you doing before joining us at CMOA?
I was working for a company, TAKTL, which manufactures ultra-high-performance concrete (UHPC) building cladding panels. I was an architectural projects manager, which meant I handled relationships with architects and installers from the initial point of inquiry through to the purchase of the product, providing technical support, pricing, design assistance, etc., along the way. I also looked after the samples program and a small line of UHPC furniture. Before TAKTL, I was special projects assistant at CMOA for White Cube, Green Maze: New Art Landscapes, a 2012 exhibition curated by Raymund Ryan in the Heinz Architectural Center. I also worked for a few different architecture firms in Pittsburgh after receiving my B.Arch. from Carnegie Mellon University.

What’s your favorite exhibition that you saw this past year (at any museum/event)?
I had a great day walking through the Mike Kelley retrospective at the PS1 in Queens this fall (see above) which was impressive in its sheer size and variety of experience, let alone the actual installations. Another definite highlight was visiting the Clyfford Still Museum in Denver, more so for the amazing architecture than anything else.

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Rachel Whiteread, Untitled (Domestic), 2002, cast plaster on various armatures; Owned jointly by Albright-Knox Art Gallery, Buffalo; George B. and Jenny R. Mathews Fund and Carnegie Museum of Art, Pittsburgh; The Henry L. Hillman Fund

If you could steal one artwork from our collection, what would it be?
Rachel Whiteread’s Untitled (Domestic). The piece, a very large negative casting of a staircase, is owned jointly by CMOA and the Albright-Knox Museum, where it is currently on view. Given its enormous size, I think it’s safe to say I won’t be carrying out that plan.

Five things you can’t live without?
Yoga, graph paper, sewing machine, a kitchen, coffee.

Describe Pittsburgh in five words or less.
Watch out for the ravines.

Favorite hobbies? Or any other projects you’d like to share?
I’m a founding board member at Assemble, a small non-profit community arts and technology space on Penn Avenue here in Pittsburgh, and I currently serve as secretary of the board. We’re heavily volunteer-run and we have a working board, so I spend a bit of my free time working to keep the organization running smoothly.