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Attack Theatre: Remainder, Phase Two
Thurs., Jan. 8
Attack Theatre dancers return to Carnegie Museum of Art for Phase Two of Remainder, a 10-month process/performance inspired by Life on Mars.
Daily film screenings of Sharon Lockhart's Pine Flat in Carnegie Museum of Art Theater
2:00 p.m. daily
Additional screening Thursdays at 5:00 p.m.
Free with Museum admission
Running time: 138 min.
schedule is subject to change
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Gazing at Ryan Gander's "A sheet of paper on which I was about to draw as it slipped from my table and fell to the floor" I began thinking about the extremely long title of the piece and also about memories. Each of the 40 crystal balls are scattered on the floor like giant marbles has a laser etched suspended image of a piece of paper. Also, if you look closely the glass spheres reflect everything in the room upside down like a fun house mirror.
I'm very forgetful at times and it's so frustrating when you can't remember one particular thing and you know what it is, but you just can't put your finger on it. And when you try to think of what you were trying to remember, you can't, but when you forget all about it, suddenly one random day it pops into your mind and it comes back to you.
Posted by Tyler
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tkd 07|06|08
Tyler, I was just wondering about the connection that you brought up about memories (sometimes ones that slip your mind) and the glass balls by Ryan Gander. Are the balls just meant to arouse discussion, or do they hold a particular meaning for you?In other words, why did Gander produce this artwork? Additionally, did you find a relationship between the several Gander pieces in this year's International?
Tyler 07|07|08
tkd yes they do hold a particular meaning to me. I see the spheres as symbols for memories, ideas, and thoughts drifting around in the mind. My interest in psychology probably reflects why I see the spheres this way. For example if I saw something that was interesting to me it would stay with me like a picture froozen in time just as the paper is suspended in the glass ball.
Morgan 07|08|08
There is one particular piece within the current Life on Mars
International which I beleive is tragically overlooked: "A sheet of
paper on which I was about to draw, as it slipped from my table and
fell to the floor" by artist Ryan Gander. This work consists of 40
total crystal balls of uniform size with what appears to be a delicate
sheet of paper suspended within the transparent glass. These 40 balls
are placed at somewhat random areas of the main gallery of the
exhibition, with no noticable pattern or reason. I think that
Gander's piece gives viewers a brief glimpse into an entire universe
of knowledge that chance obliterates from our own world.
The title, "A sheet of paper on which I was about to draw, as it
slipped from my table and fell to the floor" helps to emphasize this
notion of lost ideas, lost possibilities, lost opportunities. If the
artist was, as the title states, about to draw something - he must
have had some drive, inspiration, or reasoning to do so. However, by
the mere act of chance, this sheet of paper, the artist's literal
plane for creation, has fallen to the floor - thus indicating a quiet
and delicate loss of an idea. The fact that the paper, symbolizing
the absence of a certain spark of genius or knowledge in the world, is
ironically inside something as solid and constant as crystal glass
serves to maintain the blank sheet as a legacy, paying homage to what
could have been.
The image of a small piece of blank paper suspended in space (glass)
causes viewers to question what would have been on the sheets - Maybe
a heartfelt letter, a would-be famous quote or poem, a revolutionary
discovery, an inspirational drawing. Whatever the artist had planned
for the sheet is now no longer in existence because his means with
which to commemorate his idea is now gone, fallen onto the floor.
Although such a small paper, the idea on it could have been
life-changing, revolutionary, earth-shattering - but because of
chance, the world will never know how things could have changed had
that paper not fallen.
The fact that so many visitors at the museum tend to overlook this
piece is a reflection of how these lost and forever-forgotten musings
and inspirations are overlooked, never missed. As viewers pass on to
other works forever cast in bronze, painted on canvas, or immortalized
in photography - Ryan Gander's piece silently remains on the cold
galley floor, a quiet, peaceful, and empty memorial, honoring the
infinite number of lost and forgotten possibilities that our world,
tragically - will never know, never document, never remember.
MORGAN