Playful and scholarly, Ken Eisentein‘s essay uncovers surprising links between Hollis Frampton and Michael Snow.
Chance or choice? Alla Gadassik investigates the spectacular effects of Robert Breer’s 1961 film Blazes.
Emily Davis, an expert in time-based media, takes us behind the scenes as she reconstructs Buky Schwartz's seminal artwork.
Tess Takahashi looks back at the first decade of video art at Carnegie Museum of Art.
Ben Ogrodnik reassesses the impact of Roger Jacoby, a Pittsburgh filmmaker and visionary.
Melissa Ragona takes a closer look at Carolee Schneemann's ABC—We Print Anything—In The Cards.
Filmmaker Peggy Ahwesh reflects on Stephanie Beroes' film Debt Begins at Twenty, which immortalized the Pittsburgh punk scene of the early 1980s.
David Finkelstein interviews experimental filmmaker Peter Rose about his 1981 film The Man Who Could Not See Far Enough.
Brett Kashmere examines the work of Victor Grauer, one of Pittsburgh’s most prolific yet little-known film artists.
In this archival recording, film curator Sally Dixon welcomes Bill Judson as her successor in the museum's Department of Film and Video.